Flipping Beats
Adam Teixeira
IMEP Paris College of Music
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L’IMEP • Paris College of Music welcomes Adam Teixeira (drummer and percussionist) to present Flipping Beats, a masterclass, dynamic and interactive, based on his new workbook Flipping Beats, designed to revolutionise your approach to drumming. Unlock endless rhythmic variations and take your music to the next level!
Topics include:
- Concept behind the Flipping Beats book
- Drum beat construction (beginner to advanced levels)
- Exclusive practice tips on Flipping Beats
Adam Teixeira is a versatile drummer, producer, songwriter, and educator hailing from Toronto, Canada, now based in London, UK. Known for his dynamic, ever-evolving sound that seamlessly bridges jazz, world music, and experimental textures, Adam’s artistry reflects an impressive global musical journey. He has performed and recorded with the likes of ; Greg Osby, Pat LaBarbera, Guthrie Govan, Tony Malaby, Rudresh Mahanthappa, Alina Bzhezhinska Hip Harp, Jangeun Bae, Vitor Pereira, Ingrid Jensen, Tony Kofi, Gregor Riddell, and many more. Described by JazzWise Magazine’s George Howlett as having “ever-crisp stickwork, spanning Cuba to India and beyond,” Adam’s drumming is marked by a rare combination of precision, fluidity, and cultural diversity.
FLIPPING BEATS
WHAT STUDENTS SAY
"I was looking for a more dynamic method and I found it! It is incredibly fun switching pages and never get bored by practising!"
KENDRA S.
"I really appreciate the design and the size. I can bring it with me everywhere and practice whenever I have the chance."
MATT B.
"I was tired of the same practice routines, and this book really helped me switch things up. It’s easy to use and actually makes me want to practice longer."
JULIA S.
"The format is really clever. You just flip a few pages, and suddenly you have a new rhythm to try. It keeps me motivated every day."
DANIEL R.
"I like how flexible it is. Some days I just warm up with it, other days I spend an hour experimenting with new grooves."
MARCO L.
"Super well designed. The pages are clean and practical, and the exercises make total sense for real playing situations."
EMMA B.
"It’s the first method I’ve used that feels interactive. You can mix ideas, change them, and create something unique every time."
RÉMI T.
